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Giacomo o\u00f9 vous pourrez admirer le magnifique Palazzo Medolago Albani.<\/span><\/p>\n Appartenant \u00e0 la <\/span>compte Vailetti<\/strong>Le ch\u00e2teau de Vailetti, dont le titre a \u00e9t\u00e9 d\u00e9cern\u00e9 en 1695 par le duc de Parme Francesco Farnese, \u00e9tait \u00e0 l’origine un palais du XVIe si\u00e8cle. \n Du point de vue <\/span>point de vue architectural<\/span>L’\u00e9difice a un plan en forme de C, avec une cour centrale orient\u00e9e vers le panorama de Citt\u00e0 Bassa. Au premier \u00e9tage, ou “piano nobile”, vous pouvez visiter les salles verte, rouge et bleue, dont les noms d\u00e9rivent de leurs tapisseries respectives, la salle de musique, dans laquelle r\u00e9sonnent les notes chaudes des spectacles musicaux, et la galerie Bonomini<\/strong>, d\u00e9cor\u00e9e de belles fresques de l’artiste bergamasque du m\u00eame nom. D’autres artistes ont d\u00e9cor\u00e9 les int\u00e9rieurs du Palazzo Medolago Albani, commeLuigi Deleidi<\/strong> dit “il Nebbia”, Filippo Comerio<\/strong> et Vincenzo Bonomini<\/strong>. <\/p>\n \n","indepth":"","howtogetthere":"","price":"","time":"","latitude":"45.701564","longitude":"9.663145","id_visit_manza":"3143","iu_motor_accessibility":"no","iu_visual_accessibility":"notsure","iu_auditory_accessibility":"notsure","iu_cognitive_accessibility":"notsure","iu_kids":false,"iu_shortprice":"","iu_addr_streetnumber":"","iu_addr_postalcode":"","iu_addr_city":"","iu_addr_province":"","iu_phone":"","iu_cell":"","iu_website":"","iu_email":"","iu_document_label":"","iu_document":false,"iu_timetable":false},"size":"full","featured_video":false,"is_an_ambassador":false,"filotto_sub":"","or_filter":false,"only_ambassadors":false,"max_elements":"0","show_total":false,"see_all":false,"order_by":"","order_way":"","filotto_fill_conditions":{"or_filter":false,"only_ambassadors":false,"max_elements":"0","show_total":false,"see_all":false,"custom_show_all_page":null,"order_by":"","order_way":""},"style":"","text":"","icon":{"button_icon":"none"},"function":"","target":"","target_modal":"","iu_document_label":"","modules":false},"_links":{"self":[{"href":"https:\/\/visitstg.visitbergamo.net\/fr\/wp-json\/wp\/v2\/oggetto\/16315","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/visitstg.visitbergamo.net\/fr\/wp-json\/wp\/v2\/oggetto"}],"about":[{"href":"https:\/\/visitstg.visitbergamo.net\/fr\/wp-json\/wp\/v2\/types\/oggetto"}],"author":[{"embeddable":true,"href":"https:\/\/visitstg.visitbergamo.net\/fr\/wp-json\/wp\/v2\/users\/505"}],"version-history":[{"count":0,"href":"https:\/\/visitstg.visitbergamo.net\/fr\/wp-json\/wp\/v2\/oggetto\/16315\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/visitstg.visitbergamo.net\/fr\/wp-json\/wp\/v2\/media\/4315"}],"wp:attachment":[{"href":"https:\/\/visitstg.visitbergamo.net\/fr\/wp-json\/wp\/v2\/media?parent=16315"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/visitstg.visitbergamo.net\/fr\/wp-json\/wp\/v2\/categories?post=16315"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/visitstg.visitbergamo.net\/fr\/wp-json\/wp\/v2\/tags?post=16315"},{"taxonomy":"aggr","embeddable":true,"href":"https:\/\/visitstg.visitbergamo.net\/fr\/wp-json\/wp\/v2\/aggr?post=16315"},{"taxonomy":"area","embeddable":true,"href":"https:\/\/visitstg.visitbergamo.net\/fr\/wp-json\/wp\/v2\/area?post=16315"},{"taxonomy":"kind","embeddable":true,"href":"https:\/\/visitstg.visitbergamo.net\/fr\/wp-json\/wp\/v2\/kind?post=16315"},{"taxonomy":"zona","embeddable":true,"href":"https:\/\/visitstg.visitbergamo.net\/fr\/wp-json\/wp\/v2\/zona?post=16315"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nLe dernier des Vailetti, Luigi, d\u00e9cida de faire raser la demeure pour en construire une toute nouvelle.
\nLe projet fut confi\u00e9 en 1770 \u00e0 <\/span>Simone Cantoni<\/strong>, <\/span> architecte d’origine tessinoise qui a \u00e9galement con\u00e7u la Villa Olmo \u00e0 C\u00f4me.
\nApr\u00e8s avoir surmont\u00e9 de nombreuses difficult\u00e9s dues, entre autres, \u00e0 la forte d\u00e9nivellation du terrain, le r\u00e9sultat est finalement un splendide exemple de palais n\u00e9oclassique.
<\/span>\u00c0 la mort de Luigi, le b\u00e2timent fut mis en vente et achet\u00e9 en 1835 par la municipalit\u00e9 de Bergame pour devenir le si\u00e8ge du Lyc\u00e9e classique Sarpi.
\nLes salles ne pouvant \u00eatre adapt\u00e9es de mani\u00e8re satisfaisante \u00e0 cette nouvelle fonction, la municipalit\u00e9 vendit le b\u00e2timent six ans plus tard au comte Giacomo Medolago Albani<\/strong>.
\nLa demeure a \u00e9t\u00e9 transform\u00e9e et embellie par les nouveaux propri\u00e9taires, devenant l’une des plus \u00e9l\u00e9gantes de la ville et t\u00e9moin d’\u00e9v\u00e9nements historiques et culturels majeurs.
\nGr\u00e2ce \u00e0 son r\u00f4le de palais de repr\u00e9sentation, on peut citer la visite \u00e0 Bergame d’\u00c9lisabeth de Bavi\u00e8re<\/strong> et de son empereur<\/strong> consort autrichien Fran\u00e7ois-Joseph<\/strong> en 1857 et, deux ans plus tard, la rencontre entre Giuseppe Garibaldi et Victor-Emmanuel II.<\/strong> <\/p>\n
\nToutes les fa\u00e7ades, \u00e0 l’exception de celle qui donne sur la rue S. Giacomo, sont dot\u00e9es d’un haut soubassement en bossage : une astuce de Cantoni pour r\u00e9duire l’impact visuel de la diff\u00e9rence de hauteur, au point de la dissimuler, gr\u00e2ce au fait que les colonnes bicolores et les demi-colonnes de la fa\u00e7ade attirent l’\u0153il du spectateur et le guident vers le haut.
<\/span>Au-dessus des fen\u00eatres du piano nobile se trouvent cinq m\u00e9daillons en bas-relief repr\u00e9sentant des sc\u00e8nes de la Gerusalemme liberata<\/em> de Torquato Tasso, r\u00e9alis\u00e9s par Giovanni Maria Benzoni<\/strong> en 1848.
\nLa balustrade au-dessus de la corniche est orn\u00e9e de statues et d’une horloge du sculpteur Antonio Gelpi<\/strong>.
\nToujours en parfait style n\u00e9oclassique, l’escalier qui monte int\u00e9rieurement au premier \u00e9tage est sym\u00e9trique, avec deux vol\u00e9es de marches.<\/p>\n
\nLe dernier des Vailetti, Luigi, d\u00e9cida de faire raser la demeure pour en construire une toute nouvelle.
\nLe projet fut confi\u00e9 en 1770 \u00e0 <\/span>Simone Cantoni<\/strong>, <\/span> architecte d’origine tessinoise qui a \u00e9galement con\u00e7u la Villa Olmo \u00e0 C\u00f4me.
\nApr\u00e8s avoir surmont\u00e9 de nombreuses difficult\u00e9s dues, entre autres, \u00e0 la forte d\u00e9nivellation du terrain, le r\u00e9sultat est finalement un splendide exemple de palais n\u00e9oclassique.
<\/span>\u00c0 la mort de Luigi, le b\u00e2timent fut mis en vente et achet\u00e9 en 1835 par la municipalit\u00e9 de Bergame pour devenir le si\u00e8ge du Lyc\u00e9e classique Sarpi.
\nLes salles ne pouvant \u00eatre adapt\u00e9es de mani\u00e8re satisfaisante \u00e0 cette nouvelle fonction, la municipalit\u00e9 vendit le b\u00e2timent six ans plus tard au comte Giacomo Medolago Albani<\/strong>.
\nLa demeure a \u00e9t\u00e9 transform\u00e9e et embellie par les nouveaux propri\u00e9taires, devenant l’une des plus \u00e9l\u00e9gantes de la ville et t\u00e9moin d’\u00e9v\u00e9nements historiques et culturels majeurs.
\nGr\u00e2ce \u00e0 son r\u00f4le de palais de repr\u00e9sentation, on peut citer la visite \u00e0 Bergame d’\u00c9lisabeth de Bavi\u00e8re<\/strong> et de son empereur<\/strong> consort autrichien Fran\u00e7ois-Joseph<\/strong> en 1857 et, deux ans plus tard, la rencontre entre Giuseppe Garibaldi et Victor-Emmanuel II.<\/strong> <\/p>\n
\nToutes les fa\u00e7ades, \u00e0 l’exception de celle qui donne sur la rue S. Giacomo, sont dot\u00e9es d’un haut soubassement en bossage : une astuce de Cantoni pour r\u00e9duire l’impact visuel de la diff\u00e9rence de hauteur, au point de la dissimuler, gr\u00e2ce au fait que les colonnes bicolores et les demi-colonnes de la fa\u00e7ade attirent l’\u0153il du spectateur et le guident vers le haut.
<\/span>Au-dessus des fen\u00eatres du piano nobile se trouvent cinq m\u00e9daillons en bas-relief repr\u00e9sentant des sc\u00e8nes de la Gerusalemme liberata<\/em> de Torquato Tasso, r\u00e9alis\u00e9s par Giovanni Maria Benzoni<\/strong> en 1848.
\nLa balustrade au-dessus de la corniche est orn\u00e9e de statues et d’une horloge du sculpteur Antonio Gelpi<\/strong>.
\nToujours en parfait style n\u00e9oclassique, l’escalier qui monte int\u00e9rieurement au premier \u00e9tage est sym\u00e9trique, avec deux vol\u00e9es de marches.<\/p>\n